My paintings with drawing, in oil, wax, and mixed media, of plants and their foliage, interspersed with objects of “still life”, celebrate the complexity of the natural world and our place in it.
These works are both painting and drawing, abstract and representational, with line and shape, two-dimensional but with a hint of perspectival illusion. Some are monotypes mounted to panel, others are painted directly to paper or panel. All have drawn and incised elements. Pattern and repetition leave hints of still life’s narrative, patches of daylight, and memories of movement.
My focus on contemplation provides a small arena in which to restore balance to our relationship of Human to Nature. Plants and trees are intelligent beings that we have disrespected in so many ways, and we must reconnect. Our roots are in the earth, amid the myriad forms of life in the soil, in the wind, and in the seas.
Debra Claffey is a visual artist who uses encaustic, oil, and mixed media in her work. She holds a BFA in Painting from the School of the Museum of Fine Arts in Boston and Tufts University and an Associate’s Degree in Horticultural Technology from the University of New Hampshire. In 2011, she received an Artist Entrepreneurial Grant from the New Hampshire State Council on the Arts and the National Endowment for the Arts. Claffey’s work has won several awards, including the Second Place Award at the Monotype Guild of New England’s Fifth National Monotype Exhibition in May 2018 and the Juror’s Award at the 13th International Encaustic Conference in June 2019.
Claffey writes a blog, Making Something Out of Nothing. She has curated five exhibitions, the most recent being The Space Between Shadow and Light for the Eleventh International Encaustic Conference in Provincetown, Massachusetts in June 2017.